Teslagrad is already out for PS3 and PS4 in Japan courtesy of our friends at Square Enix, but we’re happy to say that thanks to Unity Japan and Kakehashi games, We’ve also been able to release it on Wii U overseas! It feels great to see it sitting on the eShop landing page next to huge titles like Xenoblade X!
During the move we recovered a couple folders of notes and scribbles from very early in Teslagrad’s development, here’s a look at a couple of nuggets:
an excerpt from the initial script outline for Teslagrad’s story! This changed a lot as we decided to do completely nonverbal storytelling, so in the end a lot of nuance was cut in favour of more instinctively understandable/ archetype based story beats. A lot of the story work in teslagrad was “how much can we cut/streamline this to make it more understandable without losing the flavour” rather than “how much of the story can we cram in before people get impatient”.
In the end, the amount of behind the scenes, not explicitly stated stuff probably made the ingame world feel richer and more expansive than it would have otherwise!
Early sketches of the king, complete with a list of design inspirations. his outfit was a lot more flash gordon-esque here!
Today is another milestone, not just for us here at Rain, but for Bergen’s gaming scene as a whole. Today, we moved from the cramped office that has been our base of operations since we first started, into the fantastic new Bergen Game Collective!
We share our office with our good buddies BitSquad, Henchman & Goon/Goontech and Retrogene. This is a pretty strong start and we’re very excited to be involved in this new step in the Bergen gaming scene. Stay tuned for more updates from us!
Following up Martin’s Square Enix adventure, here’s an exellent short documentary feature on him made by Stagewolf productions!
“Martin Kvale is a Game Music composer(Sound Designer) from Oslo, Norway. Having his career taken off within the independent game community and currently traveling around the world collaborating and exploring new sounds, Martin has worked on games such as Among the sleep, Teslagrad, Little big mansion, and so many more.
In this series, Martin shares his views, thoughts and disciplines on Sound design and gives an insight into the independent gaming community.
This is the first part of a series of short films from the Artist profile series covering musicians and creative personnel that strive to achieve their dreams and inspire others with their art.
Produced by Stagewolf Productions
Directed and Edited by JD Lakhiani
DOP: Em Lakhiani
Music by Martin Kvale
To celebrate Teslagrad’s Japanese launch, Square Enix and our sound wizard Martin Kvale will be livestreaming straight from Square Enix HQ in a little while, have a look!
update:it’s over. That was amazing!
We’re happy to announce that our game Teslagrad is available digitally in Japan from today, February 18, 2015!
Thank you to our partners Square Enix (PlayStation platforms) and Unity Japan/Kakehashi Games (Nintendo Wii U/PC), who have worked diligently to bring Teslagrad to their shores.
Without them, far fewer people would be able to discover the world of teslagrad, and we’re very happy to recieve such great support.
We’ve updated the japanese translation of the PC version to ensure the best possible experience for customers in Japan. To all of our potential new players, hope you’ll have fun!
Today we’re celebrating our upcoming release in Japan, as well as an attractive 75% off discount!
As you may know, Teslagrad is a rollicking puzzle platformer with lush, hand painted steampunk visuals, silent storytelling and magnetic super powers.
Our game will be released in Japan on February 18th courtesy of Unity Games Japan & Kakehashi Games(Steam/Wii U) and Square Enix(PlayStation platforms), and will be recieving an updated japanese translation on Steam to coincide with this!
We want to share our joy with you all by doing a one week, 75% off sale on the Steam version, starting today, February 9!
To kick off the sale, we’re giving away 100 keys for free through Steam gifts, maybe you’re one of the lucky few?
Steam Gifts giveaway
I got a question online the other day about level design that i gave a long and rambling answer to, but i figure it might be useful for some of you who might be starting out making games yourself:
“So I’m interested in getting into game development. I’d also like to make a platformer puzzle type game. I have 0 experience outside of being the consumer of games. I’m a developer and I’m sure with enough time and research (and tools like Unity) I can handle the programming side. For me what I think seems most daunting is level design. What was your team’s process for designing the levels?”
-Best laid plans, trial and error, killing your darlings and iteration! No one is born a perfect level designer and things rarely work just as you intended when you play the first iteration you build of a level- and that’s ok. The important thing is being able to identify what you are trying to achieve with the level and change it to fit that vision if something doesn’t work as intended. Or alternately, seeng when something unintended works outbetter than the original idea. Most of teslagrad’s levels changed a lot from first to final version! one thing to keep in mind is that level design that seems easy on paper can be very hard to play, almost all the initial designs had to be simplified and made easier-and teslagrad is still considered a fairly hard game!
Also, never start out trying to make levels with a high degree of graphical fidelity-always stary out just building them from grey boxes or basic tilesets, and decorate them when you’ve nailed the gameplay aspect. This makes it far easier to iterate. make sure you think of what parts of the level are visible to the player in-camera from any point in the level, if you keep that in mind you can imagine the experience of playing it for the first time from another person’s perspective, and try to make it an enjoyable experience for them.
Get people to play your WIP levels (anyone, but keep in mind how their skill level relates to your intended audience). Don’t talk to them while they’re playing, even if they get stuck. Never try to help them along, just observe and see what seems like it works for them and what doesn’t. This can be very hard to do. Afterwards you’re free to ask them anything about their ecperience, what they enjoyed and what they didn’t, what they found too hard, too easy, too obtuse or what confused them. Results may be surprising.Sometimes the part where they looked like they were struggling was their favourite part, sometimes it can be the opposite. Try to adjust your levels if it’s obvious that spesific parts aren’t fun for the majority of players. Listen to suggestions, but keep in mind that not everyone is great at problem solving and what they suggest may not actually be the solution to the problem they were having in the game. Never dismiss people outright if they are struggling in some way, even though something seems like it should work for you, it might still be a bad design choice. That’s not to say you should compromise your vision or make a dull design by comittee game, but try to find a balance!
Lastly there’s a Shigeru Miyamoto quote that applies to almost every aspect of game design-paraphrasing here, but it’s something along the lines of “A good idea is not an idea that solves a single problem, but an idea that solves multiple problems”.
Final Fantasy! Dragon Quest! Teslagrad! What do these three have in common?
That’s right, Square Enix!
To release western games in Japan you need a Japanese publisher,
and they kindly stepped up to the plate for Teslagrad on PlayStation platforms.
We’ve spent a great many hours enjoying games from Japan over the years,
and a huge percentage of the all time classics have been developed or published by Square Enix.
It feels great to be able to give something back with Teslagrad!
The Japanese release date is Feb 18. Check out the
Square Enix Teslagrad site!
The Tower’s basement areas might have had a floor plan at one point, when it was first built into the mountain.
However, the combination of limestone bricks left to the teeth of time and reappropriation of spaces to accommodate new technology has left it a rather surreal, confusing place.
Nature seems to have started reclaiming these rooms long ago, as moss and vines grow freely and roots that seem ancient and interconnected have made their way through many of the crumbling surfaces from somewhere high above.
As we make our way through gaps in walls, floors and ceilings by trial and error, we face what appears to have have served as a well at some point. It’s run dry now, its walls clad the aforementioned greenery.
Fearing what may lurk down there, we try to make our way across to the other side, only to be met by the gaze of a creature that seems to be half wolf, half cockroach, all eyes and all too tired of an vegetarian cave moss diet. Luckily there’s an electric field between us and it, keeping us exploring the insides of its belly… At least for the time being.